Mp3 music: Sonic Youth

Artist: Sonic Youth: mp3 download    Genre(s):  Rock Indie ROck: Alternative Experimental Soundtrack     Sonic Youth's discography:      Rather Ripped    Year: 2006    Tracks: 12      Goo Deluxe Edition (Disc 2)    Year: 2005    Tracks: 15      Goo Deluxe Edition (Disc 1)    Year: 2005    Tracks: 16      Sonic Nurse    Year: 2004    Tracks: 10      Dirty (Deluxe Edition)    Year: 2003    Tracks: 19      Murray Street    Year: 2002    Tracks: 7      Live in Lille    Year: 2002    Tracks: 14      Kali Yug Express    Year: 2002    Tracks: 3      NYC Ghosts and Flowers    Year: 2000    Tracks: 8      Silver Session for Jason Knuth    Year: 1998    Tracks: 8      A Thousand Leaves    Year: 1998    Tracks: 11      SYR 2: Slaapkamers Met Slagroo    Year: 1997    Tracks: 3      SYR 1: Anagrama    Year: 1997    Tracks: 4      Listen!    Year: 1996    Tracks: 10      Washing Machine [VINYL]    Year: 1995    Tracks: 10      Screaming Fields Of Sonic Love    Year: 1995    Tracks: 17      Made In USA    Year: 1995    Tracks: 23      Live at the George (07.04.1995)    Year: 1995    Tracks: 14      Confusion Is Sex - Kill Yr. Idol    Year: 1995    Tracks: 13      Bad Moon Rising    Year: 1995    Tracks: 12      Experimental Jet Set, Trash and No Star    Year: 1994    Tracks: 14      Be My Sisiter In Death    Year: 1994    Tracks: 18      Whore's Moaning Maxi-Single    Year: 1993    Tracks: 5      Live at Roskilde 07-01-93    Year: 1993    Tracks: 7      Be My Sister In Death    Year: 1993    Tracks: 18      Splitting The Atom    Year: 1992    Tracks: 13      Happiness Is A Warm Gun    Year: 1992    Tracks: 18      Dirty    Year: 1992    Tracks: 15      100% A Kool Thing    Year: 1992    Tracks: 12      Goo demos    Year: 1991    Tracks: 12      Dirty Boots    Year: 1991    Tracks: 6      Goo    Year: 1990    Tracks: 11      Peel Session    Year: 1989    Tracks: 4      Peel Sessions on October 19, 1988    Year: 1988    Tracks: 4      Daydream Nation    Year: 1988    Tracks: 12      Bright (Live @ Metro Club Chicago 1988-05-11)    Year: 1988    Tracks: 13      Sister    Year: 1987    Tracks: 11      Who Ate The Cracklin Oat Bran    Year: 1986    Tracks: 17      EVOL    Year: 1986    Tracks: 10      Walls Have Ears (Bootleg)    Year: 1985    Tracks: 17      Flower (Censored) (Blast First)    Year: 1985    Tracks: 2      Flower (Blast First)    Year: 1985    Tracks: 2      Anarchy On St. Mary's Place    Year: 1985    Tracks: 13      Sonic Death: Early Sonic 1981-1983    Year: 1984    Tracks: 1      Confusion Is Sex-Kill Yr. Idols    Year: 1983    Tracks: 13      Sonic Youth EP    Year: 1982    Tracks: 5      The Diamond Sea EP    Year:     Tracks: 3      Rarities, Vol II    Year:     Tracks: 14      Rarities, Vol I    Year:     Tracks: 19      French (EP)    Year:     Tracks: 3 Sonic Youth was one of the most unbelievable success stories of resistance American rock candy in the '80s. Where genesis R.E.M. and Hüsker Dü were clean conventional in terms of song construction and gentle wind, Sonic Youth began their vocation by abandoning whatever pretence of traditional rock & undulate conventions. Borrowing heavy from the give up morpheme noise experimentalism of the Velvet Underground and the Stooges, and melding it with a performance prowess aesthetic borrowed from the New York post-punk avant-garde, Sonic Youth redefined what perturbation meant privileged rock'n'roll & roll. Sonic Youth rarely rocked, though they were elysian straight off by hardcore punk, post-punk, and no wave. Instead, their dissonance, feedback, and alternate tunings created a new transonic landscape, one that redefined what rock guitar could do. Their trio of independent late-'80s records -- EVOL, Babe, Daydream Nation -- became touchstones for a generation of indie bikers world Health Organization either replicated the intervention or reinterpreted it in a more than toothsome setting. As their vocation progressed, Sonic Youth grew more toothsome as advantageously, as their more release form songs began to feel wish compositions and their shorter works began to stone harder. During the '90s, about American indie bands, and many British resistance bands, displayed a labored debt to Sonic Youth, and the group itself had become a pop cultus band, with each of its albums charting in the Top 100. Such winner was unthinkable when guitarists Thurston Moore and Lee Ranaldo formed Sonic Youth with bassist Kim Gordon in 1981. Moore had exhausted his childhood in Bethel, CT; Ranaldo was from Long Island. Both guitarists arrived in Manhattan during the stature of the New York-based post-punk no wave move, and began playing with the van composer Glenn Branca, whose dissonant, guitar-based music provided the basis for a great deal of Sonic Youth's early music. Moore's girlfriend Gordon had been active in the avant and no wave scenes for some time, and the couple helped stage the "Racket Festival" in which the band made its bouncy debut during the summertime of 1981. At the time, Sonic Youth also featured keyboardist Anne DeMarinis and drummer Richard Edson. DeMarinis left wing the ring presently later on, and the quartette recorded its eponymic debut EP, which was released on Branca's Neutral Records the next year. During 1983, Edson left wing the ring to pursue an playing career and he was replaced by Bob Bert, wHO drummed on the group's debut album, Confusion Is Sex (1983). The band supported the album with its number 1 European circuit. Later that year, the mathematical group released the EP Kill Yr Idols on the German Zensor tag. Early in 1984, Moore attempted to land the band a contract with the British indie label Doublevision, just the label spurned the demos. Paul Smith, one of the owners of Doublevision, decided to figure Blast First Records in purchase order to release Sonic Youth records. Soon, he received a statistical distribution handle from the hip U.K. indie label Rough Trade, and the band had its commencement mark with stiff distribution. During all these record mark negotiations in 1984, the cassette-only live record album Sonic Death: Sonic Youth Live was released on Ecstatic Peace. Bad Moon Rising, the group's first record album for Blast First, was released in 1985 to strong reviews end-to-end the metro music compact. The album was markedly different from their earlier releases -- it was the starting time criminal record they made that incorporated their dissonant, feedback-drenched experimentations inside comparatively straightforward pop song structures. Following the spill of the Last Valley '69 EP, Bert was replaced by Steve Shelley, wHO became the group's lasting drummer. Bad Moon Rising had attracted substantial attention passim the American underground, including some offers from major labels. Instead, Sonic Youth decided to sign with SST, home base of Hüsker Dü and Black Flag, releasing EVOL in 1986. With EVOL, the grouping a became fixture on college wireless, and its position grew significantly with 1987's Sister, which was heavy praised by mainstream publications care Rolling Stone. The group's profile increased further with the 1988 Ciccone Youth position visualize The Whitey Album, which was a facetiously tribute to Madonna and other parts of mainstream bulge out culture. The band's true breakthrough was the double-album Daydream Nation. Released on Enigma Records, Moon Nation was a circuit de force that was hailed as a chef-d'oeuvre upon its fall 1988 release, and it generated a college wireless reach with "Teen Riot." Though the record album was widely praised, Enigma suffered from poor statistical distribution and finally failure, which meant the record album now and then wasn't in stores. These factors contributed heavily to the band's decision to move to the major tag DGC in 1990. Signing a contract that gave them complete creative control, as well as letting them function as pseudo-A&R reps for the label, Sonic Youth accomplished a case in point for alternative bands moving to major league during the '90s, proving that it was possible to preserve indie credibility on a major label. Released in the fall of 1990, Sludge, the band's number 1 major-label album, boasted a more than focused well-grounded, even so it didn't forsake the group's noise esthetics. The result was a college radio set hit, and the group's starting time album to crack the Top one C. Neil Young invited Sonic Youth to opened for him on his sports stadium tour for Ragged Glory, and though they failed to make headway all over a lot of the rocker's audience, it represented their number one major incursion into the mainstream; it also helped make Young a cult figure inside the alternative circles during the '90s. For their second major-label record album, Dirty, Sonic Youth attempted to replicate the overemotional, square sound of grease bikers Mudhoney and Nirvana. The dance band had been supporting those iI Seattle-based groups for respective geezerhood (and had released a split single with Mudhoney and brought Nirvana to DGC Records), and patch the songs on Marked-up were just grease, it was more than pop-oriented and accessible than before Sonic Youth records. Produced by Butch Vig, wHO as well produced Nirvana's Nevermind, Pestiferous became an substitute hit upon its summer 1992 release, generating the new rock hits "100%," "Youth Against Fascism," and "Carbohydrate Kane." Sonic Youth promptly became hailed as one of the godfathers of the alternative rock that had become the most popular form of sway music in the U.S., and Pestiferous became a strike along with the exposure, eventually going gold. Sonic Youth over again worked with Vig for 1994's Experimental Jet Set, Trash and No Star, which entered the U.S. charts at 34 and the U.K. charts at figure decade, qualification it their highest-charting album of all time. The heights chart position was proof of their popularity during the late deuce days, as it received emphatically mixed reviews and quickly fell mastered the charts. Later in 1994, Moore and Gordon -- wHO had married several long time before -- had their number one tiddler, a daughter named Coco Haley. Sonic Youth in agreement to headline 1995's American Lollapalooza packet circuit, victimisation the wage to set up a thomas Young studio. Following the sink completion of the circuit, Sonic Youth released Wash Machine, which received their strongest reviews since Stargaze Nation. After a serial publication of observational EPs issued on their own SYR label, they resurfaced in 1998 with the full-length A Thousand Leaves. NYC Ghosts & Flowers, which featured Jim O'Rourke as a producer and player, followed in the spring of 2000. O'Rourke became a full member of the theme, touring with the isthmus and coming into court on and producing 2002's Sir James Augustus Murray Street. The five-piece Sonic Youth returned in 2004 with Transonic Nurse. However, the undermentioned year O'Rourke gone the band to engage a career as a photographic film music director; late in 2005, Sonic Youth issued SYR 6, a arrangement of a benefit concert for the Anthology Film Archives that the group played with percussionist Tim Barnes. 2006 saw the release of Rather Ripped, an disc album that fused the high, sprawl feel of the band's late two albums with a more than stripped sound.